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Sheryl Crow – 1998 - The Globe Sessions (2004 A&M SACD) [FLAC@88 2khz24bit]

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  Sheryl Crow – 1998 - The Globe Sessions
  
 
(2004 A&M SACD) [[email protected]]
  
  
  
  
  Sheryl Crow
  
  
  Sheryl Crow in 2007
  
  Wikipedia:
  Sheryl Suzanne Crow (born
February 11, 1962) is an American singer-songwriter and actress. Her music incorporates elements of pop, rock, folk,
country and blues. She has released eight studio albums, two compilations, a live album and has contributed to a number
of film soundtracks. She has sold more than 17 million albums in the U.S. and over 50 million albums worldwide. Crow has
garnered nine Grammy Awards (out of 32 nominations) from the National Academy of Recording Arts and Sciences. In
addition to her own work, Crow has performed with the Rolling Stones, Stevie Nicks, Michael Jackson, Steve Earle,
Prince, Eric Clapton, Luciano Pavarotti, Willie Nelson, Smokey Robinson, B.B. King, George Strait, Tony Bennett, Kid
Rock and Sting, among others.[4] She has also performed backing vocals for Tina Turner, Don Henley, Stevie Nicks,
Belinda Carlisle, and Bob Dylan. As an actress, Crow has appeared on various television shows including 30 Rock, Cop
Rock, GCB, Cougar Town, Jon Stewart and Stephen Colbert's Rally to Restore Sanity and/or Fear, as well as One Tree
Hill.
  
  
  The Globe Sessions
(2004 A&M SACD)
  
  
  
  Artist: Sheryl Crow
  Title: The Globe Sessions
  Format: SACD,
Hybrid, Stereo, Reissue, Remastered
  Producer: Sheryl Crow, Rick Rubin
  Release Date: September 21, 1998,
(May 18, 2004)
  Recorded: 1996-98 at Globe Studios, New York, NY and Sunset Sound Factory, Los Angeles, CA
 
Label: A&M Records
  Catalog: B0003057-36
  Barcode: 6 02498 63117 1
  ASIN: B000VZYTNI
  Genre:
Rock, Blues Rock, Country Rock, Alternative Rock, Indie Rock
  Duration: 63:14
  
  Wikipedia:
  The Globe Sessions is the third studio album by American singer/songwriter Sheryl Crow, released on 21 September
1998 in the United Kingdom and 29 September 1998 in the United States, then re-released in 1999. It was nominated for
Album of the Year, Best Rock Album and Best Engineered Non-Classical Album at the 1999 Grammys, winning the latter two
awards. The Globe Sessions reached #2 on the UK Album Chart,[7] while peaking at #5 on the Billboard 200 chart,[8]
achieving US sales of two million as of January 2008.[9] The album was recorded at and named for the sessions recorded
at Globe Recording Studio in New York owned by Robert FitzSimons and Tracey Loggia.
  
  AllMusic Review by
Stephen Thomas Erlewine:
  Since her dense, varied, postmodernist eponymous second album illustrated that
Sheryl Crow was no one-album wonder, she wasn’t left with as much to prove the third time around. Having created
an original variation on roots rock with Sheryl Crow, she was left with the dilemma of how to remain loyal to that sound
without repeating herself on her third album, The Globe Sessions. To her credit, she never plays lazy, not when
she’s turning out Stonesy rockers (“There Goes the Neighborhood”) or when she’s covering Dylan
(the remarkable “Mississippi,” an outtake from Time Out of Mind). However, she has decided to abandon the
layered, yard-sale production and pop culture fixations that made Sheryl Crow a defining album of the mid-’90s.
The Globe Sessions, instead, is the work of a craftswoman, one who knows how to balance introspective songs with
pop/rockers, one who knows how to exploit her signature sound while becoming slightly more eclectic. In that sense, the
album is a lot like a latter-day album from her idols, the Stones — it finds pleasures within the craft and the
signature sounds themselves. That means that there are no surprises (apart from the synthesized handclaps, of course).
The Celtic homage “Riverwide” may be new, but it’s not unexpected, much like how the whiplash
transition in “Am I Getting Through” isn’t entirely out of the blue. That’s not necessarily a
bad thing, though, since The Globe Sessions has a strong set of songs. Since it lacks the varied sonics, humor, and
flat-out weirdness of Sheryl Crow, it’s never quite as compelling a listen as its predecessor, yet it is a strong
record, again confirming Crow’s position as one of the best roots rockers of the ’90s.

 
  
  
  
  01. My Favorite Mistake - 4:06
  02. There Goes The Neighborhood
- 5:02
  03. Riverwide - 4:07
  04. It Don’t Hurt - 4:49
  05. Maybe That’s Something -
4:18
  06. Am I Getting Through (Part 1 & 2) - 5:53
  07. Anything But Down - 4:18
  08. The
Difficult Kind - 6:19
  09. Mississippi - 4:41
  10. Members Only - 4:57
  11. Crash And Burn - 6:36
  12. Sweet Child O’ Mine - 3:57
  
  
  Personnel:
  
  Sheryl Crow – vocals, acoustic and electric guitar,
acoustic and electric 12 string guitar, National steel guitar, bass, keyboards, Hammond B-3 organ, Wurlitzer electric
piano, clavinet, harmonica, percussion
  Jeff Trott – acoustic and electric guitar (2, 3, 5–7, 10),
tremolo guitar (1), 12 string guitar (4, 9), bass (5), slide guitar (8), Moog synthesizer (10)
  Gregg Williams
– drums (1, 2, 4–6, 10, 11), percussion (2, 5, 6, 10), tambourine (3), programming
  Benmont Tench
– organ (3, 8), piano (7–9), chamberlin (9)
  Mitchell Froom – clavinet and Orchestron (6)
  Lisa Germano – violin (solo on 3, 4), autoharp (4)
  Val McCallum – electric guitar (2, 10,
11)
  Wendy Melvoin – guitar (1), bass (4)
  Todd Wolfe – electric guitar solo (4)
  Tim
Smith – bass (2)
  Dan Rothchild – double bass (3), bass (7–9)
  Dan McCarroll –
drums (2, 7–9)
  Jim Bogios – drums (4)
  Trina Shoemaker – drum loop (3)
  Bobby
Keys – alto, tenor and baritone saxophone (2)
  Kent Smith – trumpet (2)
  Michael Davis
– trombone (2)
  Avril Brown, Mark Feldman, Maura Giannini (-6), Matthew Pierce, Lorenza Ponce, Mary Rowell,
Laura Seaton – violin (3, 6)
  Michelle Kinney, Mary Wooten, Garo Yellin – cello (6)
  Jimmie
Haskell – string arrangement and conductor (6)
  Kathy Crow – vocals (8)
  
 

  Note:
  This is not my rip
  My thanks to
the original uploader
  
  
  
  
  
  
  
  
  
  
  ♪♬♫ ENJOY!
♪♬♫ 						

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